Showing posts with label Ray Mungo. Show all posts
Showing posts with label Ray Mungo. Show all posts

10 May 2011

Sue Katz : May Day in Vermont

Poet Verandah Porche (left) and author Sue Katz. Photos from Sue Katz, Barry Hock, and Consenting Adult.

May Day in Vermont

By Sue Katz / The Rag Blog / May 10, 2011

I think you'll get some enjoyment from reading this by Sue Katz, one of my friends from the "old days," a contributor to the anthology Out of the Closets, and a woman with a lovely checkered past and present (and future!).

I was present at this gathering, too, on April 30, a day short of May Day.

What Sue doesn't mention is that this is the Packers Corners commune, founded in 1968, one of the pioneering "back to the land" places in our region (about 30 miles from my house in Massachusetts). Many people present resided at the former LNS-MA (Liberation News Service) commune in Montague, Massachusetts, birthplace of the modern no-nukes movement.


The founders were mostly friends from Boston University, only a few years out of college. This is the place made somewhat famous by one of its former residents, Ray Mungo, who wrote about it in a book he titled Total Loss Farm. (His name for the farm, not the farm's actual name.)

So many wonderful people, and a joyful atmosphere. Sad moments, too, remembering people who have died, including the most recent death (from brain cancer) of Tony Mathews, hippie carpenter extraordinaire of Gill, MA, [LNS founder] Marshall Bloom (I called out his name), Fritz Hewitt, Marty Jezer, and others.

-- Allen Young /
The Rag Blog / May 10, 2011

May Day gathering at Packers Corners. Allen Young is third from the right.

PACKERS CORNERS, Vermont -- Although I do not have the time for this, what with trying to get all my work done before my trip abroad, I am unable to deprive myself of my annual trip to Vermont for May Day. The event is held at The Farm, founded by my college posse in 1968, and overseen to this day by my poet darling Verandah Porche. (She's in the red blouse and long skirt in the photos.)

I arrive on Friday afternoon in time to help unravel the silk streamers still wound tight around our May Pole since last year. We sit outside under the welcome sun hoping for a good day tomorrow, when people will come from all over the surrounding countryside and others, like us, from Boston.

Our main task completed, I take a temporary departure from Verandah to go just down the road to the 1840 home of my book binder friend Susan and my antiques expert friend Gilbert. They are putting me up and feeding and watering me.


“Feeding” is too pale a term for what goes on. We’re talking about delicious cheeses and dips to get the juices going and then a dinner of onion-stuffed roasted moist chicken, rich mashed potatoes, for which Gilbert is famous, asparagus that has been kept on ice until it is time to be cooked to an uncanny perfection, eggplant wraps smothered in tomato (from the garden) sauce, all followed by an exquisite apple pie (with ice cream), the top of which is swollen with crispy deliciousness.

Susan stands up to start to clear the table and freezes. “Everyone,” she says to us in a low voice, “stand up and be still.” We obey, looking out the windows overlooking the rear deck. They keep a bird feeder there, feeding to the tune of 10 pounds of black oil sunflower seeds per week, attracting an ornithologist’s wet dream’s array of birds.

But tonight that is not all the feeder is attracting. On its hind legs, a 300-pound black bear is sucking its dinner from one of the feeders. It sits on the deck on its fat butt, a luxurious fall of shimmery long fur cascading around its back, satiating a big case of the munchies. I am frozen. What do I know? I’m from Pittsburgh, for gawd’s sake. “Camera!” I yell, “someone get a camera.”

Gilbert meanwhile runs outside to have words with the bear, who does not seem to welcome confrontation. The bear returns to four well-padded feet and reluctantly, having been shoo’d loudly a few more times, ambles around the back to the side of the house and then up the lawn to cross the road. No one gets a photo in time.

Susan is unhappy that this beautiful creature has been chased away, while inside the house we follow our precious sighting of the bear by switching from window to window, circling the walls for the best view as the animal gracefully distances itself from us.

We sit outside on the deck around a fire pit on steel legs into which Gilbert feeds board after board to warm us up. Susan cannot get over the bulky beauty of the glorious animal and she and Gil reminisce about the time another black bear came right into their living room. Or was it this same one when it was younger? If so, she is so glad it has survived hunting season.

We turn in around 10 p.m. and sleep in the intense darkness that one only gets in deeply rural settings -- and maybe dungeon cells. In the middle of the night there is a screaming crash of glass. I am startled awake and think that it must be a kerosene lamp and perhaps kerosene is all over the floor.

Within seconds the light comes on. It is Susan. I have figured out that some tossing and turning has shifted one of the four pillows sideways, knocking over what used to be a kerosene lamp and what is now an electric lamp, as I know so well, having turned it off when it was sleep-time. In bare feet, Susan tiptoes through the hunks of frosted glass, lifting what is left of the shade to a sideboard. She says that she and Gil were afraid that it was the bear, making its way back in.

We leave the glass with the intention of cleaning it up in the morning light.


Saturday

I wake early and sweep up the glass with a hand brush and dust pan. Gilbert is already preparing a scrumptious breakfast of eggs, sausage, sautéed potatoes and challah. Susan is dressing for her morning climb up the mountain with Verandah and I am checking my email.

Just before one we make our way to The Farm bearing contributions to the pot luck that precedes the annual May Day ceremony. Happily I meet up with my dear niece, nephew, and grandniece Sadie (otherwise known as Verandah’s daughter, son-in-law, and granddaughter, respectively). Out of my little bag of treats, the beach ball is the biggest hit -- once poor Matt depletes himself of oxygen blowing it up, and I actually get to play with Sadie, a rare treat for me.

The morning had started foggy but the sun clearly wants to participate in this day of joy and is now burning down on flesh made vulnerable by an endless winter. It is a glorious day -- sunny but not scorching. As I explain to one new guest, a young guy, this particular May Day celebration combines three themes: the international day of worker solidarity; the pagan festival of Spring; and the celebration of the end of a harsh Vermont winter that can cause isolation as folks hunker down around their stoves.

I see old friends (like from the '60s) and newish ones and once the many dozens of guests have cleaned their plates it is time to mount the mountain overlooking our once-and-future commune. One friend hoists the May Pole and many others grab one of the colorful streamers and up we go, followed by music makers and stragglers.

At the top, the May Pole is inserted into its usual hole and propped up until stable, so that the rest of us can wind around and around, weaving in and out, both clockwise and counter, to the tunes of Peter Gould’s hand accordion.


Once done, we stand and sit in a circle while the singing commences. The scope of talents and the range of union, worker, and sentimental tunes is startling, and the support of the amateurs by the professionals -- like Patty Carpenter and Melissa Shetler -- and Verandah Porche -- is emblematic of the kind of supportive, collaborative community these folks have constructed.

As always, Verandah asks us to invite in those who have died -- and people around the circle call out names of mutual friends and then individual loved ones. One guy calls out, “My parents!” -- and dozens of echoes of “and mine!” reverberate from around the circle. We are orphaned, but we have each other and the generations behind us.

[Sue Katz is an author, blogger, journalist, unionist, and rebel whose rants and reviews are posted on her blog, Consenting Adult.]

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21 February 2011

BOOKS / Jonah Raskin : John McMillian's 'Smoking Typewriters'

John McMillian, author of Smoking Typewriters, will appear at BookPeople, 603 N. Lamar Blvd, Austin, at 7 p.m., Friday, Feb. 25, 2011, for a reading and signing of his book about the Sixties underground press. John will also be our special guest at a Rag Blog Happy Hour, Friday, Feb. 25, 5-7 p.m., at Maria's Taco Xpress, 2529 S. Lamar Blvd., Austin. The public is welcome. And John McMillian will be Thorne Dreyer's guest on Rag Radio, Friday, March 4, 2011, 2-3 p.m. (CST) on KOOP 91.7FM in Austin, and streamed live on the internet.
The curious case of the 1960s papers:
John McMillian's Smoking Typewriters

By Jonah Raskin / The Rag Blog / February 21, 2011

[Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media in America, by John McMillian (Oxford University Press, Feb. 17, 2011); Hardcover; 276 pp.; $27.95]

Art Kunkin was born into a Jewish family in New York in 1928. A brainy kid, he attended Bronx High School of Science, became a follower of Leon Trotsky, moved to Southern California, and recreated himself in the burgeoning bohemian world of Venice.

He would probably not be remembered today and he would certainly not appear in John McMillian’s Smoking Typewriters were it not for the fact that he founded the L.A. Free Press -- the Freep -- and became one of the curious fathers of the underground newspapers of the 1960s.

McMillian writes about Kunkin and the Freep near the very start of his new book in which he tells his version of the 1960s through the eyes and ears of its loud, colorful, unconventional papers such as the Freep, Rat, The Seed, The Great Speckled Bird, The Barb, The Rag, and many others with equally provocative names.

Smoking Typewriters provides a fast-moving narrative about the birth, the death, and the second life of the newspapers that were spawned by the upheavals of the 1960s and that were also spurred on by those upheavals. Part agitprop in a radical American tradition that went back at least as far as the 1930s, and part agitpop in the unique style of the 1960s, papers such as The Barb, The Seed, and Rat sparked the rebellion of a generation, even as they reported the latest news, gossip, and rumors from the barricades, the communes, the rock concerts, and the on-going spectacle of the streets.

Austin SDS leader George Vizard, later murdered under questionable circumstances, peddles an early issue of The Rag on The Drag near the University of Texas campus in 1966. At left is his wife, Mariann. (Mariann -- who changed her last name to Wizard -- is now a contributing editor at The Rag Blog.) Image courtesy of Thorne Dreyer, from the photo section of Smoking Typewriters / Oxford Press.

One of the early papers McMillian discusses in depth is Austin’s Rag, the first underground paper in the South. The Rag, now reborn as The Rag Blog, was a model for many papers that would come later, he says, because it was the first to emerge directly out of a radical community, the first to be run collectively, and the first to merge the hippie and New Left cultures.

McMillian puts readers in the cockpit of the era. He conjures up the radical style, the exuberant mood, and the bravado -- no mean feat given the fact that he wasn’t there to live it himself. An historian, he looks back at the era with the benefit of hindsight and with a certain detachment, too, that enables him to tell the story without aiming to grind obvious ideological axes.

He focuses attention on Los Angeles, Austin, and East Lansing, Michigan, as well as on Chicago and New York, and makes it clear that the 1960s as a state of mind and as a way of being in the world, took place everywhere in the United States.

To write his book, McMillian interviewed many of the pivotal figures from that time -- both men and women -- who wrote for and edited the underground newspapers, such as Harvey Wasserman, Allen Young, John Holmstrom, Thorne Dreyer, Alice Embree, Ray Mungo, Sheila Ryan, and others. In Smoking Typewriters he looks at the sexual politics of the papers, and at the tangled, complex relationships between men and women as they played themselves out in newspaper offices.

Smoking Typewriters takes readers from the early days of SDS, through the rise of the anti-war movement, to the Rolling Stones concert at Altamont in 1969 that has often been described as the culminating event of the decade. Ten pages of photos from the 1960s put faces to the names mentioned in the book.

There’s a brief, last chapter that looks at trends in alternative media since 1969, and an afterward that touches on zines, blogs, and bloggers, and in which McMillian predicts that, “we are going to see a collapsing of private space and a diffusion of power around knowledge and information.” For those who would like to dig deeper into the subject, there’s also an extensive bibliography and more than 50-pages of footnotes

The most controversial aspect of the book from my point-of-view as a writer for the underground press and as a contributor to Liberation News Service (LNS) is McMillian’s privileging of SDS and the New Left. SDS was obviously influential; New Leftists changed life on college campuses. I was an SDS member and a New Leftist myself. But I was also a hippie, and a member of the counterculture, and from where I stood the underground newspapers were as much a product of the hippie counterculture as they were of SDS and the New Left.

Thorne Dreyer, now editor of The Rag Blog, and the late Victoria Smith, shown at the offices of Space City! in Houston in 1970. Image from the photo section of John McMillian's Smoking Typewriters, Oxford Press.

McMillian gives more emphasis to the overtly political figures of the era, and to the ideological nature of the papers, and minimizes aspects of the cultural revolution of the 1960s. In some ways, the evidence provided in the book goes counter to McMillian’s own argument. So, for example, he offers a pithy quotation from Abbie Hoffman, one of the founders of the Yippies, who said of the underground press “It is a visible manifestation of an alternative culture. It helps to create a national identity.”

Granted, McMillian discusses nomenclature such as “New Left,” “hippies,” and “politicos” in the introduction to his book. He might have taken the discussion to a deeper level and provided more insight. Still, his book will be appreciated by both ex-New Leftists and ex-hippies because it looks again at the push and pull that took place between those who followed Marx, Mao, and Lenin, and those who followed Timothy Leary, Allen Ginsberg, and the Beatles.

Moreover, as McMillian recognizes, there was no clear-cut schism between the hippies and the politicos. So, for example, he offers a useful comment about those two seminal 1960s figures, Marshall Bloom and Ray Mungo, the founders of LNS: “They were a curious duo, dope smoking, hip, full of far-out incredulousness, yet terribly concerned about Vietnam, the urban crisis and politics. ”

In the 1960s, we were all -- if I may speak for a whole generation -- very curious in the sense that we were an odd and unpredictable mix of cultures, values, and identities, especially in the eyes of the Joneses who just couldn’t keep up. As Bob Dylan put it, “something is happening here, but you don’t know what it is, do you Mr. Jones?”

The writers for the underground press, as McMillian shows, not only knew what was happening, but also provided maps and blueprints for others who wanted to join the happenings, the be-ins, the love-ins, the sit-ins, and the whole spectacle of the cultural revolution.

[Jonah Raskin is the author of For the Hell of It: The Life and Times of Abbie Hoffman, and Out of the Whale: Growing up in the American Left. He teaches at Sonoma State University.The Rag Blog

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26 May 2010

Ray Mungo : The Pope is Toast

Pope Benedict on Palm Sunday. Photo from AP / examiner.com.

Pope is Toast, Boy Diddley, and Me

By Ray Mungo / The Rag Blog / May 26, 2010

The ongoing circus of revelations pinning responsibility for covering up boy-diddling by priests on the Holy Father in Rome himself is pure entertainment to me. Every morning brings fresh developments in the crumbling pontiff’s decline, reminiscent of Nixon’s gradual disintegration under the roaring waves of Watergate. Now, as then, I spring out of bed each day eager and expectant for the latest twist and turn that will lead, one can surely hope, to the vicar of Christ departing the Vatican in a helicopter bound for Bavaria.

Wonder of the ages, could it be? The Pope is toast. Oh joy, oh rapture.
Admittedly, I’m not an objective, neutral observer. I was one of the diddlees, a long 50 years ago when a priest in Massachusetts made a habit of pulling down my pants and using my 12, and then 13, year old body for his own shuddering pleasure.

Father didn’t ask permission. He took me in the rectory, in the projection booth of the parish auditorium, in the car, anywhere he could and as often as he liked. He liked my soft pubic hair and compared it to other boys’, because Father had lots of boys, but I was special, he said.

Stop right there. This isn’t what you might expect. It’s not, for example, the child sex abuse victim railing against his monster, not a polemic against the Catholic church, although its ultimate destruction has long been my favorite fantasy.

My molester escaped any punishment, as was the norm in the church then and throughout Benedict’s career at the controls. My guy was simply transferred to another parish, where he continued to “work with” budding youths. Eventually he died, still a holy pastor to his newly hormonal flock.

I’m not accusing him of having made me into the homosexual / atheist / alcoholic / drug addict / lacking any normal employment history, treated for depression and retired on a dime fellow that I am. Hell, no! I was probably cut out to be a freelance writer from the start and by college age was already committed to the life of the anarchic stoner. Father Fondle didn’t seem to have this effect on other boys. The ones I knew all grew up to be heterosexual breeders and genuflecting believers.

This history comes back to me in the light of all the thrilling new revelations of church cover-ups leading directly to the seat of Saint Pete, and in view of a contemporary friend of mine now serving six years in a California state prison for the felonious offense of stroking a 12 year old boy in the wrong places. My friend is not a priest. Times have changed.

Most gay men are not child molesters, of course. That ancient myth has been thoroughly discredited. Exhaustive research shows that gay and lesbian folks are not any more likely to be sexually abusive to children than straights are. There’s simply no evidence of it. Yet every time a same-sex child molestation case makes the news, the old prejudice flares up, and the Vatican is not shy about using this hateful lie as a ploy to absolve its own culpability. “It’s those terrible homosexuals who cause the problem, not the church,” is their shameful song. It won’t play in Peoria or even Palermo any more. It’s the same kind of voodoo non-science as all the other church doctrines.

The church may be the ironic victim of its own smear campaign. By laying all the blame on homosexuality, it reminds us that homosexuals are disproportionately attracted to the priesthood. If gay is bad, so is the history of the Vatican, a gay ghetto to rival any other. As a 12 year old altar boy I really loved running around in those frocks, and if Father caressed my member in the altar boys’ locker room in the church, maybe that was some kind of secret initiation rite, for all I knew. Priests live in a perpetual little boy’s clubhouse with “No Grils Allowded” scrawled on the door.

It was not for me, though. At age 13 I stopped believing in God or the church. Some might call that a “tragic robbery of faith,” I think of it as the birth of reason.

My friend in state prison is now in an isolated hospital cell after another inmate, who had discovered the nature of his crime, assaulted him in his sleep, breaking his jaw, nose, and both cheekbones before the guards intervened. The attacker meant to kill. My friend may not survive some future assault when he is transferred back into the general population. Convicted killers, rapists, and robbers consider themselves morally superior to boy-diddlers.

It wasn’t always so. Boy-diddling has been going on since recorded history began. Think of the ancient Greeks, or the Japanese Samurai warriors who groomed their pages. A small minority of adults attracted to children has always existed in every society, often taken for granted. But in our own society, it’s a curse, a crime more reviled than any other.

Somehow, though, I can’t summon any genuine hatred toward the guy who did the diddling on me. He couldn’t help himself. That’s just the way he was. He didn’t turn me into a pedophile, I’ve never been sexually attracted to kids, and he didn’t make me gay, that’s something I was born with. Where I can assign blame, however, is on the church that protected and shielded this man for years, allowing him access to children despite certain knowledge of his past.

And where I can issue praise is on the New York Times for its singular role in relentless documentation of scandals the church, and Benedict himself, spent decades trying to hide. The paper’s researchers and reporters have unearthed one horror story after another, all faultlessly documented, creating a ripple effect in all other media. A Pulitzer is surely due. Hell, a Nobel.

Let the fun continue! Every day’s a holiday when the Pope is toast. I’ll toast to that!

[Ray Mungo, a founder of Liberation News Service in 1967, is the author of Famous Long Ago and Total Loss Farm. He is a social worker, tending principally to AIDS patients and the severely mentally ill.]

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