Showing posts with label Alice Embree. Show all posts
Showing posts with label Alice Embree. Show all posts

19 November 2013

Alice Embree : Chile and the Politics of Memory

Me gustan los estudiantes. This painting by Austin's Carlos Lowry is the cover art on the Fall 2013 NACLA Report on the Americas.
The contradictions of Chile
and the politics of memory
The elections in Chile take place as the country marks the fortieth anniversary of the bloody military coup that happened with covert U.S. assistance.
By Alice Embree / The Rag Blog / November 20, 2013
“[T]he battle over memory is a struggle over meaning…” -- Steven S. Volk, "The Politics of Memory and the Memory of Politics," Fall 2013 NACLA Report on the Americas.
On Sunday, November 17, Socialist Michelle Bachelet received 47% of the vote in a field of nine Chilean presidential candidates. She will go into a December 15 run-off with a candidate from the hard right, Evelyn Matthei, who received 25% of the vote. Bachelet will likely serve a second term as president of Chile.

Both run-off candidates are daughters of Chilean Air Force officers. Bachelet’s father was an Air Force Brigadier General at the time of the 1973 military coup. Known for his loyalty to the democratic government, he was arrested for treason, tortured, and died in prison. Both Michelle Bachelet and her mother were arrested, tortured, and forced into exile. In stark contrast, Matthei’s father was a key member of the military junta. The memory of military rule for these two women could hardly be more disparate.

The elections in Chile take place as the country marks the fortieth anniversary of the bloody military coup that happened with covert U.S. assistance. The September 11, 1973 coup overthrew the elected Socialist president Salvador Allende. The Fall 2013 NACLA Report on the Americas, published by the nonprofit North American Congress on Latin America (NACLA), explores the implications of that coup.

The cover art on the NACLA issue is by Austin artist Carlos Lowry. The painting hangs above our couch. It features Camila Vallejo against a background of jubilant students. The painting's name, Me gustan los estudiantes, is taken from a song by the legendary Chilean folksinger Violeta Parra.

Camila Vallejo, featured on NACLA’s cover, was president of Chile’s largest student federation. She became the well-known face of the 2011 student movement demanding change in an educational system that has left Chilean students among the most indebted in the world. On Sunday, Vallejo was elected to the Chilean Congress. Three other student leaders were also elected.

NACLA’s compilation of articles describes Chile 40 years after the coup. To some, Chile became a neoliberal economic success story. "Shock Doctrine" is what Naomi Klein calls it in a book by that name. Democracy was dismantled and social movements demobilized by military force. Opponents were imprisoned, tortured, “disappeared,” and exiled -- displacing and scattering Chileans across the globe. The public sector was weakened, free market tactics were celebrated, and public services were privatized.

But NACLA deals with another aspect of Chile’s coup -- the success of an international solidarity movement, the exposure of U.S. complicity in the coup through congressional hearings, the mobilization of many non-governmental organizations (NGOs) to address human rights abuses, the creation of human rights archives (including one at the University of Texas at Austin), and the genesis of Central American solidarity committees.

NACLA also examines the Chilean student uprising, and contrasts it with Wall Street occupiers and Spain’s indignados. The student movement of Camila Vallejo claimed new space for social movements, and defied the status quo of Chile’s neoliberal economy. Student leaders rejected “politics as usual” as practiced by the dominant coalitions since 1990. The student demand for tax reform sufficient to support free education will become a major challenge from the left for Michelle Bachelet when she takes office again.

The bold student demonstrations, complete with theater, took politics into the streets in ways not seen for decades. Students staged an 1,800-second long "kiss-in" for education and an 1,800-hour-long relay around the presidential palace. The "1,800" symbolized the investment (2.2% percent of Chile’s gross domestic product) required to fully fund public education.

Chile is a territory of contradictions. They are as vast as its geographic extremes -- Andes to ocean, desert to rainforest. It is a country in which neoliberal policies deformed public education, weakened national health care, and caused students to incur burdensome loans. Its new prosperity rests upon severe income disparity.

It is a country that U.S. Republicans have sought to emulate in plans to “privatize” Social Security. Yet, it is a country whose recent student mobilizations have inspired students around the globe. It is a country that just elected Camila Vallejo, a Communist, to office, and is poised to elect Michelle Bachelet, a Socialist, to a second term as president.

[Alice Embree, a contributing editor to The Rag Blog, is a long-time Austin activist, organizer, and member of the Texas State Employees Union. A veteran of SDS and the women's liberation movement, Alice is a former staff member of the North American Congress on Latin America (NACLA) and of underground newspapers The Rag in Austin and RAT in New York. She now co-chairs the Friends of New Journalism. Read more articles by Alice Embree on The Rag Blog.]

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18 November 2013

Alice Embree : Anne Lewis' New Website Brings Austin Movement History to Life

Filmmaker Anne Lewis' new website is called Austin Beloved Community.
'Austin Beloved Community':
Anne Lewis' new website
brings movement history to life
'This was designed as cooperative and experimental. It’s really a community organizing art project.'
By Alice Embree / The Rag Blog / November 19, 2013

Austin Beloved Community is a gift. Movement history comes alive in a digital collage of collective memory -- audio, film, photos and maps, and a rich diversity of local recollection.

This website is a gift from Anne Lewis. Lewis makes documentary film. Notably, she was associate director/assistant camera for Harlan County, U.S.A, the Academy Award-winning documentary about a coal country strike. Her most recent work is Anne Braden: Southern Patriot. In this film, Lewis documents the life of a woman praised as “eloquent and prophetic” by Dr. Martin Luther King, Jr. in his 1963 Letter from Birmingham Jail.

Anne Lewis came to Austin in 1998 and teaches her film craft at the University of Texas at Austin. She hardly limits herself to teaching. She can often be seen behind a camera at marches or demonstrations or without a camera holding a picket sign.

As an executive board member of the Texas State Employees Union (TSEU-CWA 6186), she is at the forefront of a current struggle against the University’s plan to downsize, consolidate, and outsource jobs -- a plan that would further corporatize the academic community.

I interviewed Anne Lewis about her recently launched website -- what she calls “a journey through time and memory.” Lewis, who also is a contributor to The Rag Blog, describes the site as “a shared space between organizations, artists, and all who hold close ideas of liberation, equality, and just society.” She reaches back to the 1880s and takes you forward to the present. She even includes a Google map that pinpoints where events occurred and organizations were born.

This is not Austin from the point of view of SXSW or Formula 1 promoters. This is the history of the struggle for social justice told by participants who know that the struggle isn’t over.

Anne Lewis.
Alice Embree: You’ve been in Austin since 1998. Can you tell us what brought you here?

Anne Lewis: Jim [Branson] and I were living in Whitesburg, Kentucky (1,499 people and one grouch) and had a young son. The Texas State Employees Union wanted Jim to come to work as an organizer for the union. I had been [producing films] with Appalshop for 15 years. I could bring my work with me, and the idea of a change seemed good. We were typical Appalachian migrants -- jobs, school, city life -- and we moved as much of our family here as we could, but if we could have gone back every weekend, we would have.

You cover a lot of hidden history -- African Americans, Chicanos, women, the LGBTQ community, labor organizers. How did you get so much input?

This was designed as cooperative and experimental. It’s really a community organizing art project. The project began by picking the kind of folks you name -- their organizations -- and asking each to contribute five uprisings or victories in Austin that mattered to them. We added a number of individuals. People and organizations are on the about page. That meant that we got everything from Homer the Homeless Goose to Mooning the Klan to convict labor at the Capitol and Lady LULAC.

I deliberately put priority on African American, Chicano, Women, LGBTQ, working class organizations -- and made rules for myself like no national organizations unless the Austin chapter was strong and independent, no group on campus, no political groups, no primarily service organizations. I managed to keep myself non-judgmental on events. Anything that was a people’s uprising or victory went on the map. Also I decided not to even try to build a database. I wanted it to be subjective, quirky, open-minded, and fun.

Your work has been with film -- as director, producer, cameraperson and teacher. What prompted you to create a website?

Well I’m not much of a cameraperson but the rest hold. I hate websites -- all those little boxes and all those tabs inside of tabs. I don’t like the idea of clicking as interactivity and I don’t really enjoy choosing my own adventure. Huge qualities of factual information leave me cold and anxious. But on the other hand I knew a wonderful visual artist, Jeanne Stern, and wanted to work with Tom Hammond’s style of tonal shifts of wind for sound design.

I also wanted to bring Anne Braden’s ideas to Austin without driving myself crazy trying to market the film and make people show it. The City of Austin helped fund the Anne Braden film, and helped fund this project as well. So in many ways the start was an animation film idea with social justice events over time as folks remembered them and a tie to Anne Braden’s ideas. The rest developed from the process of arriving at content -- organizations and mapped events, still photographs, a calendar to give back.

I know people will tell you about history that was left out. Is there a way to make this an ongoing effort?

It is already. It’s strange to say this but I want to hear from people about what I left out and what needs correcting. It’s fun doing it. The movement history is still growing. All I need is date, place, event, and a paragraph or link and it can go up. The organizational map is similar. The calendar of events is current. People need to send their events to me though -- especially the strange stuff that goes on here. The stars on the organizations are still slowly lighting up. Resistencia and PODER are the only ones on right now. Then there’s a Facebook page.

What do you hope people learn from viewing Austin Beloved Community?

To trust their own experience. To remember the good stuff and share it around. To join in community. I guess none of that is learning like reading a book (which would be a very good thing to do right now) but I’m getting way too touchy-feely already and hesitate to talk about a city that so many other people know so much better.

If you only browse this site briefly, I suggest you go to Justice Animation. There is a link to a gallery of photos, including the Birth of The Rag. Then watch the short video. Turn the sound on. It begins in silence, but will soon surprise you. Some time in the future, when you are feeling hopeless about what can be done, watch it again.

[Alice Embree, a contributing editor to The Rag Blog, is a long-time Austin activist, organizer, and member of the Texas State Employees Union. A veteran of SDS and the women's liberation movement, Alice is a former staff member of the North American Congress on Latin America (NACLA) and of underground newspapers The Rag in Austin and RAT in New York. She now co-chairs the Friends of New Journalism. Read more articles by Alice Embree on The Rag Blog.]
  • Listen to Thorne Dreyer's February 22, 2013, Rag Radio interview with documentary filmmaker Anne Lewis.
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05 March 2013

Allison Meier : Radical Archive Exhibits 'Rebel Newsprint' from the Sixties

Image from “Rebel Newsprint: The Underground Press” at Interference Archive. Photo by Allison Meier / Hyperallergic.
One radical archive offers a
hands-on approach to activist art
The indie counterculture newspapers of the 1960s multiplied to over 500 around the country, with their art and design as radical as their messages.
By Allison Meier / Hyperallergic / March 6, 2013

The intensified activism of the 1960s fueled by the Vietnam War and struggles over class inequality, women’s rights, and black liberation drove the rapid growth of the underground press. Between 1965 and 1969, the five indie counterculture newspapers scattered across the United States multiplied to over 500 around the country, representing and communicating the voices of feminists, the Black Panther Party, gay activists, psychedelic aficionados, and other social movement groups with their art and design as radical as their messages.

"Rebel Newsprint: The Underground Press" at Interference Archive in Gowanus [a neighborhood in Brooklyn, New York] is digging into this historic period with over 100 newspapers from across the sixties underground.

The exhibition of ephemera is curated by Sean Stewart, the editor of On the Ground: An Illustrated Anecdotal History of the Sixties Underground Press in the U.S. (2011), and was drawn from his own collection, with yellowed and folded issues of newspapers like the bilingual community publication Basta Ya started in San Francisco in 1969, the experimental San Francisco Oracle published from 1966 to 1968 out of Haight-Ashbury that reflected the area’s psychedelic scene in trippy rainbow ink and spiritual poetry, and the sexual revolution sourced Screw: The Sex Review co-founded by pornographer Al Goldstein.

Most of the newspapers are held in plastic and suspended from the walls of the Interference Archive’s small space, a cascade of counterculture messages like “End the War Now,” “Don’t Mourn, Organize,” and “All Power to the People” blaring out from vibrantly hued cover art and rapid fire text.

One issue of the East Village Other, responding to the 1967 storming of hippies convening in Tompkins Square by police, has an image of a man with a bloodied face, his hands handcuffed and stretching down while text frames him on two sides: ”My God! My God! Where is this happening? This is America!” (You can see this and some other covers in detail on the Interference Archive blog.)

The Rag. Image from
Interference
Archive.
The importance of a visually engaging communication device was especially essential for movements that were located outside of the radical coastal centers, like Space City! in Houston. Thorne Dreyer, part of its editorial collective, is quoted in the exhibition text: “Houston was all spread out, you know, there were antiwar people and there were rock ‘n’ rollers but there wasn’t anything to pull them together. Space City! created a place where all these people could come together.”

There was also the relaying of information between distant parts of the world where activism was broiling. Alice Embree, a staff member at Austin's Rag, is quoted: “The importance of Rag and the underground press movement was that it was the connective tissue; it spread the news of what was happening from here to other places. It brought the news of, say, People’s Park or whatever was going on in Berkeley or New York, back.” This extended to movements in Mexico and even across the ocean in Japan and France.

True to the Interference Archive’s mission of providing hands-on access to their materials, there are a few copies of underground newspapers to flip through, such as an issue of the radical California-based Berkeley Barb that includes an article on activist Jerry Rubin and a tantalizing story on “Erotic Lennon.” ”We prioritize use, not preservation,” said Cindy Milstein, one of the members of the Interference Archive collective of volunteers. She also emphasized the archive’s focus on the history of aesthetics and art in activism.

Opened in December of 2011, the Interference Archive is run by a volunteer collective with Kevin Caplicki, Molly Fair, Josh MacPhee, Cindy Milstein, and Blithe Riley at its core. Their small library in Gowanus is packed with materials from around five decades of social movements, with a significant portion of the archives related to activism outside the United States. As a public resource, anyone can stop by during their open hours and dig through boxes of zines, comics, protest banners, books, and some audio and video material.

There are also buttons and t-shirts and flat files of prints from Just Seeds, an art cooperative for graphic designers started by Interference Archive founder MacPhee. Much of the Archive is sourced from the personal collections of MacPhee and fellow founder the late Dara Greenwald, which was amassed from their own participation in social movements and the punk rock culture of the 1980s and 90s.

The Berkeley Tribe. Photo by Allison
Meier /
Hyperallergic.
Every drawer and box and shelf of the Interference Archive is overflowing with valuable research on social movements, from the Paris Rebellion of 1968 to the Latin American solidarity organizations to materials on apartheid, with the importance of art as an avenue for a message’s resonance appearing throughout the decades and the physical connection with the relics of movements really bringing them to life.

While access to all of this is their main goal, their regular exhibitions are a way to examine the role of visual messages in these materials. Looking at the walls covered in the underground newspapers can be a bit overwhelming, but is worth spending time with for the innovative takes on design and use of visuals to convey their fervent messages that were unrepresented in the mainstream press.

"Rebel Newsprint: The Underground Press" is at Interference Archive (131 8th Street, Unit 4, Gowanus, Brooklyn) through March 24. Hours are Tuesdays, Wednesdays, and Sundays 12 – 5 pm.

[Allison C. Meier is a freelance and fiction writer based in Brooklyn. Originally from Oklahoma, she has been covering contemporary visual art for print and online media since 2006. You can read about her New York and world travel adventures on her website.  Meier wrote this article for Hyperallergic, "a forum for serious, playful and radical thinking about art in the world today."]

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18 December 2012

Alice Embree : Campaigning against Cuts at Corn Dog's Office

From left, at Austin "fiscal Cliff" demonstration: Aron Duhoon, Harrison Hiner, Grover Norquist (Thorne Dreyer), Alice Embree, Les Cunningham, Paula Littles, and, in front, Sen. John (Corn Dog) Cornyn. Photo by Carlos Lowry / The Rag Blog.

Austin protest against cuts for rich:
'Racketeer' Norquist meets 'Corn Dog' Cornyn
Union members, MoveOn, and citizens who want to protect Social Security, Medicare, and Medicaid, made their message to Senator Cornyn clear with a 'Candlelight Campaign against Cuts.'
By Alice Embree / The Rag Blog / December 18, 2012

AUSTIN -- Grover Norquist, Racketeer for the Rich, made an unannounced visit to Senator John Cornyn's district office in Austin, Texas, on Monday, December 10, 2012. His message, "Don't Tax the Wealthy," is still wildly in vogue with Republicans. A group of citizens was there with another message for Senator Cornyn.

Cornyn (who was affectionately known as "Corn Dog" by George W. Bush), was present in canine form in front of the real Cornyn's district office. Rag Blogger Thorne Dreyer (as Grover) tussled with Corn Dog handler, Alice Embree, over the direction he should take. Grover kept urging hard right turns.

As part of nationwide protests that coincided with International Human Rights Day, union members, MoveOn, and citizens who want to protect Social Security, Medicare, and Medicaid, made their message to Senator Cornyn clear with a "Candlelight Campaign against Cuts." There were also demonstrations in Dallas, Austin, Corpus Christi, Laredo, San Antonio, and Houston suburb Sugar Land.

Participants in the Austin action included members of the Communications Workers of America, Texas State Employees Union (TSEU), National Nurses United, American Federation of State, County and Municipal Workers (AFSCME), United Steelworkers (USW), International Brotherhood of Electrical Workers (IBEW), and MoveOn.

Hats off to the spirited nurses who brought "Robin Hood" hats and a banner that read: "Don't Push Seniors Off the Fiscal Cliff, Tax Wall Street." (See RobinhoodTax.org and like it on Facebook.)

[Alice Embree is a long-time Austin activist, organizer, and member of the Texas State Employees Union. A former staff member of underground papers The Rag in Austin and RAT in New York, and a veteran of SDS and the women's liberation movement, she is now active with CodePink Austin and Under the Hood Café. Embree is a contributing editor to The Rag Blog and is treasurer of the New Journalism Project. Read more articles by Alice Embree on The Rag Blog.]

Here are links to demonstrations around Texas:
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15 November 2012

Alice Embree / Terry DuBose : Defend the Soldiers' Right to Heal

Under the Hood contingent at Veterans Day Parade, Killeen, Texas, Saturday, November 10, 2012. Photo by Susan Van Haitsma / The Rag Blog.

Defend the right to heal:
Veterans’ Day parade in Killeen
As the deployments wind down from this decade of combat, service members are finding that their access to medical care is restricted, denied, delayed, and stigmatized.
By Alice Embree / The Rag Blog / November 15, 2012
See story by Terry J. DuBose and photos by Alice Embree and Susan Van Haitsma, Below.
Malachi Muncy’s vision was obscured, but he could hear a boy’s voice saying: “It’s a soldier in a pill bottle. Break out! Break out!”
The boy, a spectator along the Veterans Day parade route in Killeen, Texas, got it. So did most of those who saw Under the Hood’s message on Saturday, November 10.

Under the Hood (UtH) is a GI coffeehouse that opened in 2009 in Killeen, a mile from Fort Hood, the largest U.S. military post in the world. The UtH contingent marched for the second time in Killeen’s Veterans’ Day event. Three veterans led the march with this banner: “Honor All Who Served: Defend Service Members’ and Veterans’ Right to Heal.”

Behind the banner, on the bed of a pickup truck, was Malachi Muncy, a veteran of two Iraq deployments, a writer and an artist. Malachi had produced the pill bottle image as a print on paper made of combat uniforms. For the parade he took his art large, constructing a six-foot tall orange pill bottle with a white cap. Malachi, in uniform, stood inside the bottle, occasionally reaching his hands above him into the air. The prescription read: “RX: We Deserve Better.”

Although Malachi’s vision was somewhat limited by the orange acetate he was behind, he could hear the crowd’s response. Those seated along the parade route would begin asking each other what was on the truck, then talk amongst themselves as they realized it was a soldier in a pill bottle. There was occasional laughter, even applause. Some spectators made comments about the medicines they were on.

Along the route, UtH supporters handed out leaflets supporting soldiers’ right to heal -- for real treatment beyond pills for the hidden injuries that are now so prevalent -- Post Traumatic Stress Disorder, Military Sexual Trauma, and Traumatic Brain Injury.

Supporters also carried signs with the grim markers of this decade of war. “A veteran commits suicide every 80 minutes. Stop the cycle!” “There were 154 service member suicides in the first 155 days of this year. 154 suicides vs. 134 combat deaths.”

In an October 23 article, the Austin American-Statesman dug deep into the Texas face of these statistics: “Special Report: Uncounted Casualties,” reporting on the recent Texas veterans who have died of overdoses, suicide, and vehicle crashes.

As the deployments wind down from this decade of combat, service members are finding that their access to medical care is restricted, denied, delayed, and stigmatized. An appeal to Congress for redress for service members’ and Veterans’ right to heal can be found at www.RighttoHeal.org. You are urged to sign this petition and to continue to support Under the Hood -- a space for free speech, peer support, and decompression.

[Alice Embree is a long-time Austin activist, organizer, and member of the Texas State Employees Union. A former staff member of underground papers The Rag in Austin and RAT in New York, and a veteran of SDS and the women's liberation movement, she is now active with CodePink Austin and Under the Hood Café. Embree is a contributing editor to The Rag Blog and is treasurer of the New Journalism Project. Read more articles by Alice Embree on The Rag Blog.]


"Trapped." Print by Malachi Muncy on paper made from old combat uniform.
Malachi Muncy: A veteran artist

Malachi Muncy, a veteran of two deployments to Iraq, uses art and theater to express his frustration, situation, and anger. Two of his prints, “Trapped” and “Escape,” carry strong messages in this era of record suicide rates among troops and veterans.

Malachi prints on paper made from his combat uniforms. As guerrilla theater for the Veterans’ Day Parade in Killeen, Malachi designed and built a giant pill bottle. Standing in uniform in the bottle on the back of a pickup truck his art reached hundreds along the parade route.

Malachi served in the Texas Army National Guard as a motor vehicle operator from 2003 to 2009, with service in Iraq from 2004-2005 and 2006-2007. He has a BA in journalism form Texas State University (TSU) and is currently pursuing a BA in English.

Malachi’s writing has appeared in the Copperas Cove Leader Press, SKUNK Magazine, and at RawStory.com. His poetry and prose have been included in the Warrior Writers anthologies. Malachi’s print and papermaking artwork has been exhibited at The National Veterans Art Museum in Chicago.

Malachi has volunteered as arts coordinator at Under the Hood CafĂ©, a GI Outreach Center in Killeen. He has conducted workshops there on making “combat paper” from uniforms -- transforming war experiences into art. In December he will become the new manager of Under the Hood.

-- Terry J. DuBose / The Rag Blog

[Terry J. DuBose, who was an organizer for Vietnam Veterans Against the War (VVAW) in Texas, is an Associate Professor Emeritus of Diagnostic Medical Sonography at the University of Arkansas for Medical Sciences.]
"Escape." Print by Malachi Muncy.


Photo Gallery:
Under the Hood at Veterans Day Parade

Photo by Alice Embree / The Rag Blog.

Photo by Alice Embree / The Rag Blog.

Photo by Alice Embree / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Alice Embree / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Find more photos of Under the Hood and the Veterans Day parade by Alice Embree and Susan Van Haitsma.

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21 March 2012

Alice Embree : Women are 'Seeing Red' in Texas

"Seeing Red" organizer Marcia Ball, center, with Emily Haas, left, and novelist Sarah Bird at the Texas State Capitol. Photo by Susan Crews Bailey / Facebook.

'Seeing Red':
The Texas Taliban's war on women


By Alice Embree / The Rag Blog / March 21, 2012
"Reproductive health care for well over a hundred thousand women in Texas has just been revoked by the state legislature. They were egged on by the hapless Rick Perry in a move so dunderheaded and thick with ignorance that his performance in the presidential primaries looks studious and reasoned by comparison." -- Actress Beth Broderick, a participant in the 'Seeing Red' demonstrations at the Texas State Capitol, writing at The Huffington Post.
AUSTIN -- On Friday, March 2, Marcia Ball, singer-songwriter and blues pianist extraordinaire, sent an e-mail broadside out to friends: “Subject: I’m so mad I’m SEEING RED.”

“What the heck’s happening with our poor country?!" she asked. "Who knew that in 2012 in the USA we would be fighting about contraception and basic women’s health?”

Marcia Ball said she would be in front of the Texas State Capitol on consecutive Tuesdays, March 6, 13, and 20, to protest the “Texas Taliban’s war on women.” Marcia Ball also wanted to honor Marie Colvin, the reporter who recently died in Syria, and Molly Ivins, the Texas writer who mastered the art of lampooning “Governor Goodhair” Rick Perry before the nation was treated to Perry’s self-lampooning performance in primary debates.

“Spread the word,” Marcia Ball said. And indeed the word spread. A couple hundred people showed up in red shirts on March 6, and footage of the event aired on Rachel Maddow’s MSNBC show. On March 13, a group showed up at the noon hour and then swelled the ranks of a "Don’t Mess With Texas Women" rally later in the day. About 800 were present at the rally that featured Cecile Richards of Planned Parenthood and singers Ball, Carolyn Wonderland, Jimmy Dale Gilmore, and Colin Gilmore.

Rag Blog contributing editor Alice Embree had an essay in the landmark 1970 women's liberation anthology, Sisterhood is Powerful. Photo by Leslie Cunningham / The Rag Blog.

The all-out conservative assault on Planned Parenthood and its many health services seems to be the “straw that broke the camel’s back” for women. We’ve become sadly accustomed to the mounting restrictions on abortions. The Republican-controlled Texas Legislature approved an abortion bill in its last session similar to the one now in effect in Virginia, requiring physicians to provide a sonogram before performing an abortion.

But the war on access -- particularly low-income access -- to contraception, pap smears, and mammograms is new conservative ground. Add to this mix the inflammatory statements of certain radio blowhards equating the use of contraception to prima facie evidence of sluthood, and we’re “seeing red.”

Although Marcia Ball will be touring and can’t be present next Tuesday, March 27, the sea of red shirts that she provoked doesn’t seem inclined to stay home.

[Alice Embree is a long-time Austin activist, organizer, and member of the Texas State Employees Union. A former staff member of underground papers, The Rag in Austin and RAT in New York, and a veteran of SDS and the women's liberation movement, she is now active with CodePink Austin and Under the Hood Café. Embree is a contributing editor to The Rag Blog and is treasurer of the New Journalism Project. Read more articles by Alice Embree on The Rag Blog.]

Sign the "Seeing Red" petition to "Save Women's Health Care in Texas," at change.org.

Photos by Alice Embree / The Rag Blog.

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05 March 2012

Alice Embree : 'Fierce Women' March in San Antonio

Photo by Carlos Lowry / The Rag Blog.

International Women’s Day:
'Fierce women' keeping the faith

By Alice Embree / The Rag Blog / March 5, 2012
See gallery of photos by Carlos Lowry and Susan Van Haitsma, Below.
SAN ANTONIO -- For the third year I traveled south from Austin to San Antonio to take part in their International Women’s Day march with others from CodePink Austin. It was the twenty-second annual Women’s Day celebration in that city, which has kept the faith better than any city I know of.

The march did not disappoint. A blustery wind whipped against our banner, “Women Say No to War,” when we left from the Grand Hyatt on Saturday, March 3. But the wind died down as we made the now familiar trek to Milam Park and the Plaza del Zacate. CodePink Austin invoked various “Supershero powers” as the contingent marched in costumes, adorned with capes and crowns, and accompanied by a prison-garbed and shackled “war criminal."

The International Women's Day celebration was organized by a coalition of “fierce mujeres” from community and social justice organizations -- union organizers for nurses, hotel workers, and domestic workers, advocates for reproductive choice and LGBTQ rights.

Graciela Sanchez of the Esperanza Peace and Justice Center, her mother, Isabel Sanchez, two women from Fuerza Unida, and a former councilwoman carried the leadoff banner for the march. Other banners and signs displayed the diversity of causes and issues, calling for an end to NAFTA and to war, defending immigrant rights and decrying the border wall.

Photo by Carlos Lowry / The Rag Blog.

The generations ranged from Girl Scout participants and the youth of the Martinez Street Women’s Center to the elders like Graciela Sanchez who have kept this tradition alive for more than two decades. Indigenous dancers and a calavera (skeleton) -clad duo were reminders of the Native American and Mexican ancestry of South Texas.

San Antonio displayed once again its ease with crossing boundaries of race, age, class, national origin, and sexual orientation. The call for the march proclaimed:
We, like women and girls all over the world, are the voices of conscience, the roots of change, and the leaders of local and global movements. We seek healthcare, housing, education, environmental justice, and fair wages, not just as women, but also as people of color, as youth and elders, as immigrants and indigenous people, as lesbian, bisexual, intersex, two-spirit, transgender, and queer women, and as poor and working class people.

We oppose all forms of violence. We advocate for reproductive choice. We call for an end to war, genocide, and occupation. We claim our own voices and come together to share them in public space. We march in solidarity with women and social justice movements around the world.
I hope that we in Austin will again see such a diverse coalition of fierce women. As the Republican primary candidates attempt to dial us back to the 50s, as women’s basic healthcare comes under attack, as women are advised to “hold an aspirin between their knees” as cheap birth control, as Rush Limbaugh hurls accusations of “slut” and “prostitute” at a college student defending access to birth control, the need for outrage and ferocity grows.

Austin musician Marcia Ball is “seeing red” and calling for women (and men) to join her wearing red on the Capitol steps each of the next three Tuesdays -- March 6, 13, and 20 -- from noon until 2 p.m. On March 9 at 7 p.m., a presentation at Austin’s feminist bookstore, BookWoman, will remind us of the beginnings of the women’s movement, with clips from an upcoming movie, She’s Beautiful When She’s Angry.

Time to let the rage out of the bottle, sisters. I guess it’s the only thing Rush and the two Ricks can understand.

[Alice Embree is a long-time Austin activist, organizer, and member of the Texas State Employees Union. A former staff member of underground papers, The Rag in Austin and RAT in New York, and a veteran of SDS and the women's liberation movement, she is now active with CodePink Austin and Under the Hood Café. Embree is a contributing editor to The Rag Blog and is treasurer of the New Journalism Project. Read more articles by Alice Embree on The Rag Blog.]

Also see: "San Antonio: Thousands Rally for International Women's Day," by Alice Embree / The Rag Blog / March 8, 2010


Photo by Susan Van Haitsma / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Susan Van Haitsma / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

Photo by Carlos Lowry / The Rag Blog.

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