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Bill Freeland : More Evolution at Ten
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The Rag Blog / Posted September 15, 2010
02 May 2009
26 November 2008
Legendary Artist of the New Left : Frank Cieciorka Dead at 69
My year in Mississippi was certainly one the most profound experiences in my life and helped shape my political consciousness to this day. I'm saddened that this country hasn't done more to eliminate poverty and racism in the intervening forty years.Noted watercolorist and graphic artist, Frank Cieciorka organized during Freedom Summer in Mississippi, was art director at The Movement and created the emblematic version of the left's iconic clenched fist image.
Frank Cieciorka
November 25, 2008
A great movement artist and friend of the Freedom Archives, Frank Cieciorka, has died. He will be missed --his work goes marching on!
Frank Cieciorka, a nationally recognized watercolor painter, political artist, activist, and author who created many of the iconic images of the 1960s, including the clenched fist and the black panther, died on November 24, 2008 at his home in Alderpoint, California. The cause was emphysema.
Born April 26, 1939, Frank grew up in the upstate New York factory town of Johnson City where his father worked at a grocery store. Frank began work at the age of 14 as a bowling alley pin-boy and then on the assembly line at the local shoe factory. Recognized since childhood for his artistic talent, he enrolled in the fine arts program at San Jose State College in 1957, where he became an anti-war activist, protesting military interventions in Vietnam and the Dominican Republic.
On graduating in 1964, Frank volunteered for Freedom Summer in Mississippi and later was hired as a field secretary for the Student Nonviolent Coordinating Committee (SNCC). He helped organize African-Americans to register to vote and assisted in organizing the racially integrated Mississippi Freedom Democratic Party, which challenged the all-white official Democratic Party. Frank also wrote and illustrated Negroes in American HistoryA Freedom Primer, taught in Freedom Schools throughout the south. The book is still used as a resource text.
Frank continued his political activism in San Francisco, where he became artistic director of The Movement, a national newspaper of community, anti-war, and civil rights organizing. His art also appeared in many other publications, posters, and underground papers, including The Realist. Among the powerful images he created for The Movement were full-size front-page portraits of Nat Turner and John Brown. His political artistry there and at People’s Press inspired a generation of activist artists.
At the end of the Sixties, tired of city life, Frank became an avid backpacker. In 1972 he purchased a half-acre plot in rural Alderpoint, where he designed and built his own home and studio, and turned to watercolor painting. His works celebrate the southern Humboldt County countryside, the beauty of the female figure in natural settings, and ordinary people doing what they do.
He is survived by his wife, the painter Karen Horn, with whom he enjoyed over 25 years of love and artistic dialogue. He is also survived by his step-daughter, Zena Goldman Hunt and her family, and by his brother, James Cieciorka, and his wife, Jean. Family and friends rejoice in having shared Frank’s life: a testimony to political and artistic passion.
The Freedom Archives.
Also see Frank Cieciorka, Designer for the Left, Is Dead at 69 by Steven Heller / New York Times / November 27, 2008
And A brief history of the "clenched fist" image.
Thanks to Col. Jeffrey Segal / The Rag Blog
28 May 2008
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02 May 2008
27 April 2008
19 April 2008
18 April 2008
Now you may kiss the brides...
Thanks to Harry Edwards / The Rag Blog
17 April 2008
14 April 2008
A People's History of American Empire
Howard Zinn, The End of Empire?
by Tom Engelhardt / April 14, 2008
In Iraq, in Afghanistan, and at home, the position of the globe's "sole superpower" is visibly fraying. The country that was once proclaimed an "empire lite" has proven increasingly light-headed. The country once hailed as a power greater than that of imperial Rome or imperial Britain, a dominating force beyond anything ever seen on the planet, now can't seem to make a move in its own interest that isn't a disaster. The Iraq government's recent offensive in Basra is but the latest example with -- we can be sure -- more to come.
In the meantime, the fate of that empire, lite or otherwise, is the subject of Howard Zinn today at Tomdispatch, and of a new addition to his famed People's History of the United States. The new book represents a surprise breakthrough into cartoon format. It's a rollicking graphic history, illustrated by cartoonist Mike Konopacki, that takes us from the Indian Wars to the Iraqi "frontier" (with some striking autobiographical asides from Zinn's own life). It's called A People's History of American Empire. It's a gem and it's being published today.
In honor of publication day, Tomdispatch offers the equivalent of a little online extravaganza. Below, you can read Zinn's essay on how he first learned about the American Empire; and you can also click here for two special treats. You can view an animated video, using some of the book's art, with voiceover by none other than Viggo Mortensen. (Think of it as Lord of the Rings, Part IV: The American Mordor Chronicles.) Finally, if you look below the video on that same page, you'll see an autobiographical section of the new book, focusing on Zinn's early years. (Click on each illustration to view a single page of text.) Have fun. Tom
Source. / TomGram / The Rag Blog
For more about the book and it's author, go to HowardZinn.org.
Empire or Humanity?
What the Classroom Didn't Teach Me About the American Empire
By Howard Zinn
With an occupying army waging war in Iraq and Afghanistan, with military bases and corporate bullying in every part of the world, there is hardly a question any more of the existence of an American Empire. Indeed, the once fervent denials have turned into a boastful, unashamed embrace of the idea.
However, the very idea that the United States was an empire did not occur to me until after I finished my work as a bombardier with the Eighth Air Force in the Second World War, and came home. Even as I began to have second thoughts about the purity of the "Good War," even after being horrified by Hiroshima and Nagasaki, even after rethinking my own bombing of towns in Europe, I still did not put all that together in the context of an American "Empire."
I was conscious, like everyone, of the British Empire and the other imperial powers of Europe, but the United States was not seen in the same way. When, after the war, I went to college under the G.I. Bill of Rights and took courses in U.S. history, I usually found a chapter in the history texts called "The Age of Imperialism." It invariably referred to the Spanish-American War of 1898 and the conquest of the Philippines that followed. It seemed that American imperialism lasted only a relatively few years. There was no overarching view of U.S. expansion that might lead to the idea of a more far-ranging empire -- or period of "imperialism."
Read the rest of it here.
A People's History of American Empire by Howard Zinn
12 April 2008
09 April 2008
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