Showing posts with label Folk culture. Show all posts
Showing posts with label Folk culture. Show all posts

17 January 2009

MUSIC / Texas : The Big Squeeze

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Accordian Dudes: It's a Squeeze-Off!
See Video Below.
AUSTIN -- Texas Folklife and Hohner, Inc. have announced the third annual Big Squeeze accordion contest for up-and-coming musicians in Texas and Louisiana. The contest was started in 2007 as a way to promote the growth and development of young accordionists in the region.

Any genre of music, including Cajun; German, Czech, and Polish polka; Tejano; Western; and Zydeco; to name a few, that incorporates the use of the accordion will be accepted and all are encouraged to apply. Finalists will perform at Texas Folklife’s highly acclaimed Accordion Kings & Queens concert at Houston’s Outdoor Miller Theatre on June 6, 2009, where the Big Squeeze winner will be announced.

Next year’s concert, the 20th annual Accordion Kings and Queens concert, will feature accordion greats Sunny Sauceda, Santiago Jimenez Jr., Cedryl Ballou, Mark Halata, and Lady “D,” and will be emceed by popular Texas journalist Joe Nick Patoski.

“The Big Squeeze contest allows us to fulfill our mission to preserve, promote, and celebrate Texas culture in a very real way,” said Texas Folklife Executive Director Nancy Bless. “By supporting these young musicians we hope to encourage them to continue playing the accordion, an instrument that is central to Texas traditional music. It is gratifying to help inspire a younger generation of musicians, literally put them on the stage, and help assure the future of ‘the national instrument of Texas.’”

Texas Folklife is a statewide non-profit organization dedicated to presenting and preserving the diverse cultures and living heritage of the Lone Star State. For nearly twenty-five years, Texas Folklife has honored the authentic cultural traditions passed down within communities and explored their importance in contemporary society. Texas Folklife has been called “one of the state’s true cultural treasures” by the Austin American-Statesman for the accessible, joyful arts experiences we provide.

Source / Zydeco Online



Thanks to Marty Manning and Joe Nick Patoski / The Rag Blog

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27 May 2008

Doug Zachary on the Passing of Folk Legend Utah Phillips


Reflections on Utah Phillips
By Doug Zachary / The Rag Blog / May 27, 2008

[Singer, songwriter, labor organizer, Korean war vet and man of peace Utah Phillips died of congestive heart failure on May 23 at his home in Nevada City, California. Rag Blogger Doug Zachary of Veterans for Peace, who organized a recent benefit for Phillips in Austin, provides these reflections. Previous posts about the benefit and about Phillips death can be found here.]

I had become close to Utah Philips over the past month as the Neil Bischoff chapter of Veterans For Peace planned the May 18 benefit for him at Jovita's in Austin. We had several conversations, ranging from ten minutes to an hour, wherein I received the blessing of my life. I felt that Utah was pouring his hard-earned wisdom into all my empty spaces, and I have never felt more loved. Two members of the NB chapter donated a Lifetime Membership in VFP for Utah, which I was moved to have shipped to him Fed Ex overnight; somehow I knew that he was about to jump onto a freight train and disappear from view. He received his VFP Lifetime ID card just before he moved on.

Neil Bischoff and Utah Phillips shared a common story. They both went AWOL while in a theater of war; Utah in Korea and Neil in Viet Nam. One day Utah's company commander told him that all the mixed-race orphans fathered (so to speak) by U.S. soldiers, although rejected by the Koreans, would eventually be a blessing because they would improve the stock of the Korean people. Utah immediately went over the hill and found the Korea House where folks were working to educate soldiers concerning the humanity of the Korean people. Neil Bischoff's legend: He decided one day that he would no longer cooperate with the Army; he took his guitar and hopped on a series of helicopters and toured Viet Nam as an AWOL soldier.

I was up at Fort Hood in Killeen, TX, putting flyers on cars at the mall and approaching soldiers inside the mall and at HEB and Target when I received the news that Utah had died. I remembered what another Wobbly had said, "Don't mourn, Organize!" . . . and I continued with my work throughout the Holiday weekend. Then, this morning, hot on my trail like my daddy's black 'n tan hounds, grief ran me to the ground. I have spent some time with that, and now it is "Back to the Barricades!".

Folks can still make a contribution to Utah by sending a check to Joanne Robinson, Utah's wife, at PO BOX 1235, Nevada City, CA. 95959.

Grateful beyond my wildest imagination,
Doug Zachary

This is the official Obituary as provided by the family.

Folksinger, Storyteller, Railroad Tramp Utah Phillips Dead at 73
Nevada City, California:

Utah Phillips, a seminal figure in American folk music who performed extensively and tirelessly for audiences on two continents for 38 years, died Friday of congestive heart failure in Nevada City, California a small town in the Sierra Nevada mountains where he lived for the last 21 years with his wife, Joanna Robinson, a freelance editor.

Born Bruce Duncan Phillips on May 15, 1935 in Cleveland, Ohio, he was the son of labor organizers. Whether through this early influence or an early life that was not always tranquil or easy, by his twenties Phillips demonstrated a lifelong concern with the living conditions of working people. He was a proud member of the Industrial Workers of the World, popularly known as "the Wobblies," an organizational artifact of early twentieth-century labor struggles that has seen renewed interest and growth in membership in the last decade, not in small part due to his efforts to popularize it.

Phillips served as an Army private during the Korean War, an experience he would later refer to as the turning point of his life. Deeply affected by the devastation and human misery he had witnessed, upon his return to the United States he began drifting, riding freight trains around the country. His struggle would be familiar today, when the difficulties of returning combat veterans are more widely understood, but in the late fifties Phillips was left to work them out for himself.

Destitute and drinking, Phillips got off a freight train in Salt Lake City and wound up at the Joe Hill House, a homeless shelter operated by the anarchist Ammon Hennacy, a member of the Catholic Worker movement and associate of Dorothy Day.

Phillips credited Hennacy and other social reformers he referred to as his "elders" with having provided a philosophical framework around which he later constructed songs and stories he intended as a template his audiences could employ to understand their own political and working lives. They were often hilarious, sometimes sad, but never shallow.

"He made me understand that music must be more than cotton candy for the ears," said John McCutcheon, a nationally-known folksinger and close friend.

In the creation of his performing persona and work, Phillips drew from influences as diverse as Borscht Belt comedian Myron Cohen, folksingers Woody Guthrie and Pete Seeger, and Country stars Hank Williams and T. Texas Tyler.

A stint as an archivist for the State of Utah in the 1960s taught Phillips the discipline of historical research; beneath the simplest and most folksy of his songs was a rigorous attention to detail and a strong and carefully-crafted narrative structure. He was a voracious reader in a surprising variety of fields.

Meanwhile, Phillips was working at Hennacy's Joe Hill house. In 1968 he ran for a seat in the U.S. Senate on the Peace and Freedom Party ticket. The race was won by a Republican candidate, and Phillips was seen by some Democrats as having split the vote. He subsequently lost his job with the State of Utah, a process he described as "blacklisting."

Phillips left Utah for Saratoga Springs, New York, where he was welcomed into a lively community of folk performers centered at the Caffé Lena, operated by Lena Spencer.

"It was the coffeehouse, the place to perform. Everybody went there. She fed everybody," said John "Che" Greenwood, a fellow performer and friend.
Over the span of the nearly four decades that followed, Phillips worked in what he referred to as "the Trade," developing an audience of hundreds of thousands and performing in large and small cities throughout the United States, Canada, and Europe. His performing partners included Rosalie Sorrels, Kate Wolf, John McCutcheon and Ani DiFranco.

"He was like an alchemist," said Sorrels, "He took the stories of working people and railroad bums and he built them into work that was influenced by writers like Thomas Wolfe, but then he gave it back, he put it in language so the people whom the songs and stories were about still had them, still owned them. He didn't believe in stealing culture from the people it was about."

A single from Phillips's first record, "Moose Turd Pie," a rollicking story about working on a railroad track gang, saw extensive airplay in 1973. From then on, Phillips had work on the road. His extensive writing and recording career included two albums with Ani DiFranco which earned a Grammy nomination. Phillips's songs were performed and recorded by Emmylou Harris, Waylon Jennings, Joan Baez, Tom Waits, Joe Ely and others. He was awarded a Lifetime Achievement Award by the Folk Alliance in 1997.

Phillips, something of a perfectionist, claimed that he never lost his stage fright before performances. He didn't want to lose it, he said; it kept him improving.

Phillips began suffering from the effects of chronic heart disease in 2004, and as his illness kept him off the road at times, he started a nationally syndicated folk-music radio show, "Loafer's Glory," produced at KVMR-FM and started a homeless shelter in his rural home county, where down-on-their-luck men and women were sleeping under the manzanita brush at the edge of town. Hospitality House opened in 2005 and continues to house 25 to 30 guests a night. In this way, Phillips returned to the work of his mentor Hennacy in the last four years of his life.

Phillips died at home, in bed, in his sleep, next to his wife. He is survived by his son Duncan and daughter-in-law Bobette of Salt Lake City, son Brendan of Olympia, Washington; daughter Morrigan Belle of Washington, D.C.; stepson Nicholas Tomb of Monterrey, California; stepson and daughter-in-law Ian Durfee and Mary Creasey of Davis, California; brothers David Phillips of Fairfield, California, Ed Phillips of Cleveland, Ohio and Stuart Cohen of Los Angeles; sister Deborah Cohen of Lisbon, Portugal; and a grandchild, Brendan. He was preceded in death by his father Edwin Phillips and mother Kathleen, and his stepfather, Syd Cohen.

The family requests memorial donations to Hospitality House, P.O. Box 3223, Grass Valley, California 95945 (530) 271-7144 www.hospitalityhouseshelter.org
Go here for previous posts about Utah Phillips on The Rag Blog.

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15 May 2008

Austin Vets for Peace Fete Folk Legend Utah Philips

Utah Philips performs in Milwaukee on May Day, 2006.

Austin salutes ailing folk great and freedom fighter Utah Philips
By Doug Zachary / The Rag Blog

Austin Vets For Peace is raising money for our fellow Peace veteran and VFP member, the folk singer Utah Phillips. Utah has been grounded by congestive heart failure. There will be a benefit Sunday, May 18, at 5 pm, at Jovita’s in Austin.

He is very grateful that we are doing this; his family is in a pinch and needs the support. He is sending us some CDs to sell at the event

Utah was denied the opportunity for a heart transplant. It was determined that his body was too weak to survive the operation. He has congestive heart failure and will grow progressively weaker until he dies of it. In the meantime, he is fighting back. He stayed in the hospital for over a month, as they determined a good medical regimen for him. He now wears a shoulder bag filled with his medications and a computerized pump, from which runs a permanent IV directly into his heart. He has had to "give up the trade,” as he put it very sadly.

Utah told me about the first time he came to Austin, shivering in his boots because he had heard of the Texas habit of throwing beer, and beer bottles, at the performers. Imagine his pleasure when he showed up at the club, Emma and Joe's, to find photos of Emma Goldman and Joe Hill on the wall.

He was especially pleased that Veterans for Peace is supporting this event. He is a Korean War veteran and a VFP member in good standing. He said, "If there is an organization in the US with the moral authority to turn things around, it would be Veterans For Peace." Later in the conversation, he said that the most important movement on the planet is feminism and that only feminist men would be able to change the habit of old men ordering young men to take weapons and kill other people, and young men seeking thrills and gender identity through obedience.

The schedule for entertainers at the benefit is as follows:

5:50-6:00 Bill Johns VFP Chapter 66 Member
6-6:15, Bill Passalacqua
6:20-6:40, Jim Patton and Sherry Brokus
6:45-7:05, Steve Brooks
7:10-7:40, The Ginn Sisters
7:45-8:15, Michael Fracasso
8:20-9:00, Shelley King Band
Also appearing: Tim Henderson and Bob Cheevers


U. Utah Phillips -- Funniest Story Ever!!



About Utah Phillips
Bruce "Utah" Phillips (born May 15, 1935 in Cleveland, Ohio) is a labor organizer, folk singer, storyteller, poet and self-described "Golden Voice of the Great Southwest". He describes the struggles of labor unions and the power of direct action. He often promotes the Industrial Workers of the World in his music, actions, and words.

A fan of T. Texas Tyler, Phillips adopted the stage name U. Utah Phillips.

Phillips served the United States Army for three years beginning in 1956. Witnessing the devastation of post-war Korea greatly influenced his social and political thinking. Following service, he returned to Salt Lake City, Utah and joined Ammon Hennacy from the Catholic Worker Movement in establishing a mission house of hospitality named after the activist Joe Hill. [1] [2]Phillips worked at the Joe Hill House for the next eight years, then ran for the U.S. Senate as a candidate of Utah's Peace and Freedom Party in 1968. He received 2,019 votes (0.5%) in an election won byRepublican Wallace F. Bennett.

Phillips met folk singer Rosalie Sorrels in the early 1950s, and has remained a close friend of hers ever since. It was Sorrels who started playing the songs that Phillipswrote, and through her his music began to spread. After leaving Utah in the late '60s, he went to Saratoga Springs, New York, where he was befriended by the folk community at the Caffé Lena coffee house, where he became a staple performer throughout that decade.

An avid rail fan, Phillips has recorded several albums of music related to the railroads, especially the era of steam locomotives. His first recorded album, Good Though!, is an example, and contains such songs as " Daddy, What's a Train?" and "Queen of the Rails" as well as what may be his most famous composition, "Moose Turd Pie" [3]wherein he tells a tall tale of his work as a gandy dancer repairing track in the Southwestern United States desert.

In 1991 Phillips recorded an album of song, poetry and short stories entitled I've Got To Know in one take, inspired by his anger at the first Gulf War. The album includes "Enola Gay," his first composition written about the United States' atomic attack onHiroshima and Nagasaki.

Phillips was a mentor to Kate Wolf. He has recorded songs and stories with Rosalie Sorrels on a CD called The Long Memory (1996), originally a college project fromMontana. Ani DiFranco has recorded two CDs, The Past Didn't Go Anywhere (1996) and Fellow Workers (1999), with him. He was nominated for a Grammy Award for his work with Ani DiFranco. His "Green Rolling Hills" was made into a country hit byEmmylou Harris, and " The Goodnight-Loving Trail" has become a classic as well, being recorded by Ian Tyson, Tom Waits, and others.

Phillips has become an elder statesman for the folk music community, and a keeper of stories and songs that might otherwise have passed into obscurity. He is also a member of the great Traveling Nation, the community of hobos and railroad bums that populates the midwest United States along the rail lines, and is an important keeper of their history and culture.

When Kate Wolf grew ill and was forced to cancel concerts, she asked Phillips to fill in. Suffering from an ailment which makes it more difficult to play guitar, Phillips hesitated, citing his declining guitar ability. "Nobody ever came just to hear you play," she said. Phillips tells this story as a way of explaining how his style over the years has become increasingly based on storytelling instead of just songs. He is a gifted storyteller and monologist, and his concerts generally have an even mix of spoken word and sung content. He attributes much of his success to his personality. "It is better to be likeable than talented," he often says, self-deprecatingly.

Until it lost its funding, Phillips hosted his own weekly radio show, Loafer's Glory: The Hobo Jungle of the Mind.

In August 2007, Phillips announced that he would undergo catheter ablation to address his heart problems. Later that autumn Phillips announced that due to health problems he could no longer tour.

Source. / Wikipedia
,
Utah Philips website.

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