31 March 2010

Ansel Herz : Haiti Looking More Like a War Zone

Woman walks along hurricane-devastated street in Port-au-Prince, Wednesday, March 24, 2010. Photo by Jorge Saenz / AP.

Haiti today:
Looking more and more like a war zone
"The U.N. is a big, huge, heavy bureaucracy. And bureaucracies do not work well in places that need flexibility and adaptation." -- Jean Luc "Djaloki" Dessables, Haiti Response Coalition
By Ansel Herz / March 31, 2010

PORT-AU-PRINCE -- On an empty road in Cite Militaire, an industrial zone across from the slums of Cite Soleil, a group of women are gathered around a single white sack of U.S. rice. The rice was handed out Monday morning at a food distribution center by the Christian relief group World Vision.

According to witnesses, during the distribution U.N. peacekeeping troops sprayed tear gas on the crowd.

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30 March 2010

David P. Hamilton : On My Retirement from Political Activism

David Hamilton at MDS anti-war vigil in Austin, December, 2008. Photo by Sally Hamilton / The Rag Blog.

On my retirement from political activism

By David P. Hamilton / The Rag Blog / March 30, 2010

Last Sunday, the “health care reform” bill passed in the House of Representatives with most Democrats voting in favor and all Republicans voting against. Did you notice that stocks in pharmaceuticals and the health insurance industries both climbed the next day?

This comprehensive health care reform is none of the above. The struggle for its passage was pure theater on several levels. Most Democrats really don't support it and most Republicans really don’t oppose it. Most Democrats would prefer a public option, Medicare being allowed to negotiate drug prices, re-importation of drugs from Canada and the like, but there aren’t enough votes independent of corporate lobbyists to pass any of that, so they opt for a charade with frills.

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Tom Hayden : The Rising Cost of College

Students at the State University of New York protest tuition hikes, November, 2009. Photo from Albany Times Union

We can't afford to be quiet
About the rising cost of college

By Tom Hayden / The Rag Blog / March 30, 2010
"There are some things we feel, feelings that our prevailing, acquisitive, and competitive corporate life, including tragically the universities, is not the way of life for us..."
That heartfelt plea for university reform, issued in 1969, is striking because it was voiced by Hillary Rodham, a student at Wellesley College. Are there any lessons or comparisons to be drawn from those turbulent times for the students and faculty members who are today demonstrating against the rising cost of higher education? As a student at the University of Michigan at Ann Arbor in those days and an itinerant sociologist at Scripps College now, I believe we can look to the past as legacy but not as blueprint.

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29 March 2010

FILM / Peter Watkins' 'La Commune' : A Conceptual Tour de Force


PETER WATKINS' LA COMMUNE

By Marc Estrin / The Rag Blog / March 29, 2010

The Paris Commune, that is -- a citizens' revolt against a royalist government, the organizing of that revolt, and the crushing of it by government forces, all in the course of three spring months in 1871.

After staring at a screen for 345 minutes, my wife and I -- completely revved -- looked at one another, and both asked the same question: "Are we doing enough?" What an outcome from seeing a film we expected to tax our endurance.

  • the historical figures, individually, and as class members at a defining moment of history;
  • themselves, as actors presenting those figures, playing them out while simultaneously judging them, a la Brecht;
  • themselves, as themselves, as individuals come together for an ambitious, artistic/political project, and also as groups, say of men vs. women.
In the course of making the film, these 200 people had to build their own commune, to establish decision-making groups around their work, and the agenda of the project itself.

What we see is startlingly unrealistic. We are shown around the "studio" by a pair of commentators from "Commune TV," dressed, as is everyone, in nineteenth century garb, but utilizing hand-held mikes for their reporting.

Written commentary flows throughout the film, describing historical events in great detail; the viewer comes out well instructed as to actual history, sometimes with modern comparisons. In general, the rhythm proceeds from these historical introductions to the scenes described, action and interviews, with frequent cuts to contrasting reports from effete anchors on National TV.

Thus, La Commune is also about the media: some news for communards, different news for the haute bourgeoisie. Commune TV itself is also critiqued, with one reporter wanting to self-censor to better serve the struggle, and the other arguing for objectivity.

In the course of scenes and interviews, we experience the difficulty of creating a just society in the midst of competing world views, strategies at odds, and varying levels of commitment -- and the threat of external force. At the same time, we come to understand the individual struggles which must occur at such potentially world-changing moments.

Beyond the designated enemy, who else is the enemy? Does a revolution require a guillotine?

Once the social/historical background is laid, the radical nature of the project emerges with increasing intensity, as Commune reporters start to intercut their interviews with different kinds of questions: Not What are you, the character, thinking?, but what are YOU, the actor, thinking about what's going on? What IS going on -- not for the character you are playing, but for YOU? Would YOU do today what your character did in history?

Such questioning begins gently, so that the actors can be reflective about their answers, but finally it intrudes, overwhelms, fiercely, passionately, right at the peak of the barricades. In the feverish pitch of their historical action, almost hysterical actors are badgered, mercilessly, about their personal reality.

The film emerges as a theater of cruelty, as these amateurs try to access such schizophrenia in the midst of their characters' life and death struggles. The level of emotional and intellectual intensity is unmatched, especially compared to the smoothness of normal, professional productions.

And it is here -- in this harassment -- that the film becomes uniquely interactive. For viewers, rather than settling into the problems of the characters portrayed, are caught up in the inquisitorial demands of the interviewer, and absolutely MUST ask themselves the kinds of questions my wife and I were forced to face. Paradoxically, it is via such a non-realistic theatrical contrivance that Watkins achieves total breakdown of aesthetic distance.

Astounding.

During the final third of the film the momentum becomes so great and potentially exhausting that the audience is given occasional breaks as the cast comes together to discuss the actual making of the film, the contemporary and personal politics (especially sexual) that got swept under the rug, or hidden behind the historical story.

Yet, though the tempo goes from allegro agitato to andante, one's interest is further intensified by meeting the individuals involved, and comparing their experiences with one's own.

For theater and film folks, La Commune is an outstanding primer of Brechtian technique, with a compositional strategy reminiscent of the Living Theater's Paradise Now, or Peter Brook's Marat/Sade. The emergence of Artaudian effects from Brechtian theory is nowhere better seen.

Yet the prime importance of this work is as an organizing tool. If political action in your community is plagued by low energy or lack of commitment, a viewing of La Commune should solve that type of problem, for no one can leave it at the same ethical or intellectual energy level as before. The political difficulties depicted are daunting; some might find them depressing. Yet witnessing them so clearly can warn us of our own, contemporary, traps.

This is a film of first rate importance for current political struggle.

[Marc Estrin is a writer and activist, living in Burlington, Vermont. His novels, Insect Dreams, The Half Life of Gregor Samsa, The Education of Arnold Hitler, Golem Song, and The Lamentations of Julius Marantz have won critical acclaim. His memoir, Rehearsing With Gods: Photographs and Essays on the Bread & Puppet Theater (with Ron Simon, photographer) won a 2004 theater book of the year award. He is currently working on a novel about the dead Tchaikovsky.]

Find La Commune in a three-disc set from Amazon.com.

The Rag Blog

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SPORT / March Madness MVP? Baylor's Brittney Griner

Baylor's Brittney Griner. Photo from metatube.

Baylor's Brittney Griner:
The story of this year's 'Big Dance'

By Dave Zirin / March 29, 2010

A 6’ 8” freshman is changing the way we understand hoops in the 2010 NCAA tournament and unless you’re paying full attention to all the glories of March Madness, you’d never know it.

Maybe it’s because the player in question is not a fresh-MAN at all. Her name is Brittney Griner, and despite the incredible buzzer beaters and upsets in the men’s draw, she is the individual story of this year’s “Big Dance.” Griner, with her agility, quick hops, and size 17 men’s shoes, is more than just evolution in action. That would imply that there are more Brittney Griner’s in the high school pipeline. There aren’t. She is simply a player apart.

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Labor Activist : Bill Fletcher Speaks to Austin Audience

Bill Fletcher. Photo by Alice Embree / The Rag Blog.

Bill Fletcher speaks to Austin audience:
Union organizing and class struggle

By Alice Embree / The Rag Blog / March 29, 2009

On Sunday night, March 28, Bill Fletcher, Jr. -- union organizer, historian, and strategist, and progressive political activist -- spoke at St. Andrew’s Presbyterian Church in Austin as part of the Third Coast Activist Final Sunday series. Responding to questions from UT-Austin Journalism Professor and Rag Blog contributor Bob Jensen, Fletcher said he’d be glad to take Glenn Beck on in a televised debate on class struggle.

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Jonah Raskin : Marijuana Made Simple

Poster for the movie Homegrown, based on a story by Jonah Raskin.

A primer:
Marijuana made simple


By Jonah Raskin / The Rag Blog / March 29, 2010
Author, activist, educator, former Yippie, and marijuana aficionado Jonah Raskin will be Thorne Dreyer's guest on Rag Radio, Tuesday, March 30, 2-3 p.m. (CST) on KOOP 91.7 FM in Austin. They will discuss -- among other things -- the California initiative to legalize and tax the use of cannabis. (See "Cannabis in California : The Growing Storm" by Raskin on The Rag Blog.) For those outside the listening area, go here to stream the show.
I was a latecomer to the world of marijuana. I remember in the mid-1960s a friend invited me to a party and told me that there would be pot there. You smoked it and you got high, he explained. I just laughed. I thought that the idea was ridiculous. “Where do you go when you get high?” I asked.

I didn’t find out until a few years later when I was living in New York. My friend, Aaron, who went on to law school and later became an honest, ethical judge was the first person I knew who smoked marijuana regularly. He smoked everyday. In fact, he has smoked everyday for the past 45 years.

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An Unaccustomed Truth : Commander McChrystal Admits to Afghan Atrocities

Gen. Stanley McChrystal. Photo by Manuel Balce Ceneta / AP.

Times quotes Afghansistan commander:
American atrocities turn Afghans into insurgents
“We have shot an amazing number of people, but to my knowledge, none has ever proven to be a threat.” -- Gen. Stanley A. McChrystal
By Chris Floyd / March 29, 2010
Well, John the Baptist after torturing a thief
Looks up at his hero the Commander-in-Chief
Saying, 'Tell me great hero, but please make it brief
Is there a hole for me to get sick in?'
-- Bob Dylan, Tombstone Blues
One can only assume that the regular editors of the New York Times were all out at a party, or left early for a weekend in the Hamptons, or something -- but somehow, the paper published a front webpage story that stated -- without the usual thousand excuses and extenuations -- that American troops are routinely slaughtering Afghan civilians at checkpoints. What's more, the story unequivocally ties the civilian killings to the "surge" ordered by the noble Nobel Peace laureate, Barack Obama.

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28 March 2010

Colombia and the TLC : Just Who Benefits from 'Free Trade'?

And we're not talking "Tender Loving Care" here. Graffiti image from Parades Que Hablan (Talking Walls).

Colombia and the TLC:
Jobs, deficits, and keeping 'free trade' alive
The organizations that stand to benefit the most from this trade agreement -- U.S. multinational corporations -- have been involved in aiding and abetting [the] bloodshed [against trade unionists].
By Marion Delgado / The Rag Blog / March 27, 2010

AT LARGE IN COLOMBIA -- On Thursday, February 18, U.S. Senator George LeMieux (R-FL), visited Colombia's President Álvaro Uribe at his ranch. His pilgrimage promoted a proposed Colombian/U.S. Free Trade Agreement (FTA), known locally as the Tratado de Libre Comercio (TLC).

Sen. George

After their rural meeting, LeMieux released a statement in which he said, among other things,

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27 March 2010

VERSE / Mariann G. Wizard : Pirates of Health-Care Reform

Corporate Pirate. Image from jacobdivett.


Pirates of Health-Care Reform


Of all the old pirates of story and song,
Blackbeard; and Bluebeard; John Silver, called "Long";
each had his own favorite way to do wrong!

Some liked to pillage, and some liked to loot,
some preferred swordplay, and some liked to shoot,
and some liked a gangplank for giving the boot!

But the one thing that all of them liked very best
was opening a just-grabbed treasure chest,
right in front of an unwilling guest!

"Was these your fine jools, dear?" they'd pleasantly coo,
"and was these your doubloons? Well, that will not do!"
And they'd take for themselves everything nice or new.

But at least when they did this, they didn't pretend
it was for your own good, but their larcenous ends,
upon which such thievery clearly depends!

Our modern day pirates are much more discreet,
with old school ties and nicely-shod feet,
and business arrangements so tidy and neat.

They've elected themselves to the highest posts,
bought men with money, or blackmailed their hosts;
poisoned the wells and turned us into ghosts.

There's never a sign of a saber or gun,
just fine-printed contracts and thefts quietly done,
so smooth that the robbers do not even run!

Just the money, that's all, runs away in the night
to foreign bank fortresses tucked out of sight,
in places where Empire still flexes its might.

The factories left, and all the real jobs
turned into vast slave ships, filled with poor slobs
who don't even know how bad they've been robbed.

And we, poor blighters, left holding the bag,
empty as a promise, wrapped in a flag,
have little left over but a real stone drag!

Now they've passed a new law for our pirate lords:
we're to empty our wallets or face down their swords,
in the form of new taxes and sugar-pill words.

Here's a thought for the rascals that pillage and steal:
with our dignity may go our bleeding-heart zeal!
We may soon see you lashed to the old breaking wheel!

Let's bring back the gallows, the rack, and the whip!
Catch these corporate pirates and let the cat rip!
Don't pay the ransom, you're just being clipped!

Mariann G. Wizard
27 March 2010


The Rag Blog

Next Nuke Nightmare? Paid for with Your Taxes

In 1979, roughly 25,000 people lived within five miles of the giant cooling towers at Three Mile Island that became symbols of the nation's worst commercial nuclear accident. Photo by Martha Cooper / AP.

We are now paying
For the next Three Mile Island

By Harvey Wasserman / The Rag Blog / March 27, 2010

As radiation poured from Three Mile Island 31 years ago this weekend, utility executives rested easy.

They knew that no matter how many people their errant nuke killed, and no matter how much property it destroyed, they would not be held liable.

Today this same class of executives demands untold taxpayer billions to build still more TMIs. No matter how many meltdowns they cause, and how much havoc they visit down on the public, they still believe they’re above the law.

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