Showing posts with label Lynching. Show all posts
Showing posts with label Lynching. Show all posts

24 January 2012

Bob Feldman : Segregation and Lynchings in Texas, 1890-1920

Unidentified African-American man lynched in Texas, 1910. Image from Legends of America.

The hidden history of Texas
Part IX: 1890-1920/1 -- Segregation and lynchings in Texas
By Bob Feldman / The Rag Blog / January 24, 2012

[This is the first section of Part 9 of Bob Feldman's Rag Blog series on the hidden history of Texas.]

Between 1890 and 1920, the number of people who lived in Texas increased from 2,235,000 to 4,663,000. Yet 66 percent of Texans still lived in rural towns with populations below 2,500. But by 1920, over 100,000 people now lived in Dallas, in Fort Worth, in San Antonio, and in Houston -- although only 34,800 people yet lived in Austin and only 77,500 people in El Paso.

After 1900, “'immigrants’ from Mexico began to arrive in significant numbers for the first time since the Texas Revolution” in 1836, but “Texans of Mexican descent, `immigrants’ and native-born combined,” still “amounted to only about 10 percent of the state’s population in 1920,” according to Randolph Campbell’s Gone To Texas. According to the same book, in 1920 “most new arrivals” from Mexico “lived in South Texas and El Paso.”

Between 1890 and 1920, the number of people of African descent who lived in Texas also increased from about 448,000 to 741,000, while the number of people of Jewish background in Texas in 1920 was still only about 30,000.

By 1920, the total value of crops produced by farmers and of cattle raised on ranches in Texas was more than the total value of crops or cattle raised in any other state in the USA. Yet between 1890 and 1920 racial “segregation… became commonplace,” as well as “disfranchisement” of African-Americans, and “physical intimidation occurred regularly and too often ended in the horror of lynching,” according to Gone To Texas.

The same book recalled that “between 1890 and 1920, Texans lynched 309 men, 249 (81 percent) of whom were black,” and “lynching generally followed the accusation of an assault on a white woman and involved sickening torture as well as hanging and burning the victim.”

According to Alwyn Barr’s Black Texans, “between 300 and 500 Negroes met deaths by lynching in the late 19th century in Texas,” although after an anti-lynching law was passed by the Texas state legislature in 1897, “the rate of lynching declined from 18 per year in the 1890s to 10 per year from 1899 to 1903.”

Texas Southern University Professor of History Merline Pitre’s 1999 book, In Struggle Against Jim Crow: Lulu B. White and the NAACP, 1900-1957, also recalled that “at the dawn of the twentieth century, East Texas was notorious for lynching and was considered one of the worst regions in the state, leading the state in 1908 with 24 deaths.” The book said that in 1910 “more than 100 blacks had been lynched in the Lone Star State,” with most of the lynchings still happening in East Texas -- which ranked third of all regions of the USA in which lynchings took place at that time.

In 1891, the Texas state legislature made racial segregation on railways in Texas mandatory and “in 1903 several Texas cities... joined a southern trend that required separate seating on streetcars,” according to Black Texans. In response, “Black leaders [in Texas] protested first before organizing boycotts which lasted several months in Houston and San Antonio.” The Texas legislature “required streetcar segregation on a statewide basis in 1907,” according to the same book.

In the view of Texas Tech University Professor of History Alwyn Barr, “this act, which brought transportation segregation to the local level where it affected large numbers of Negroes, marked a crucial stage in the development of segregation in Texas.” By 1909, railroad station waiting rooms and amusement parks in Texas were all required to be racially segregated by the Texas legislature.

According to David Humphrey’s Austin: An Illustrated History, “at the opening of the twentieth century, separation of blacks and whites already characterized many aspects of Austin’s life.” “Blacks and whites attended separate public schools as mandated by Texas law and worshipped at separate churches,” the University of Texas "admitted only whites” and “many a prominent gathering place catered to whites only, such as Scholz Beer Gardens.”

The same book also recalled that “the first quarter of the twentieth century witnessed a hardening of the lines" of racial “separation” in Austin, and that in 1906 the Austin “city council passed an ordinance requiring separate compartments for blacks and whites on streetcars.” In 1906, according to Austin: An Illustrated History, Austin’s African-American community responded in the following way:
The Black community reacted angrily. Seeking repeal of the ordinance before it went into effect in 90 days, blacks organized a streetcar boycott that was almost completely effective within three weeks. Black domestics informed employers that they would resign rather than ride segregated trolleys. Several blacks started hack lines that provided boycotters with alternate transportation.
But the streetcar boycott apparently ended after Austin police "threatened to arrest `agitators’ who dissuaded blacks from riding the [now-segregated] streetcars,” according to the same book.

Although African-Americans had lived in “virtually every city neighborhood” in Austin in the early 1880s, “by 1910 black homes [in Austin] had become more concentrated on the eastern side of the city” and “other neighborhoods grew more consciously segregated,” according to Austin: An Illustrated History. The same book also noted that “Monroe Shipe openly promoted [Austin's] Hyde Park as a residential community `Exclusively For White People,’ while deed restrictions that prohibited blacks from renting or buying property provided a… decisive means to achieve the same goal.”

[Bob Feldman is an East Coast-based writer-activist and a former member of the Columbia SDS Steering Committee of the late 1960s. Read more articles by Bob Feldman on The Rag Blog.]

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29 July 2008

MUSIC : Toby Keith's Ode to Lynching


'Hang them high in the street / For all the people to see'
By Max Blumenthal / July 29, 2008

Despite his background as a comedian, Stephen Colbert is known by many of the authors who have appeared on his show as one of the toughest interviewers in the business. But on July 28, when country music superstar Toby Keith stepped on the set of the Colbert Report to promote his movie, Beer For My Horses, he was greeted by his host with nothing less than reverential admiration. After a jovial, back-slapping sit-down with Keith, Colbert turned the stage over to his guest for a performance of the song that inspired the title and theme of his forthcoming "Southern comedy."

While Keith belted out "Beer For My Horses," Colbert's studio audience clapped to the beat, blithely unaware that they were swaying to a racially tinged, explicitly pro-lynching anthem that calls for the vigilante-style hanging of car thieves, "gangsters doing dirty deeds...crime in the streets," and other assorted evildoers.

The lyrics to Keith's ode to lynching are as follows:

Well a man come on the 6 o'clock news
said somebody's been shot
somebody's been abused
somebody blew up a building
somebody stole a car
somebody got away
somebody didn't get to far yeah
they didn't get too far

Grandpappy told my pappy back in my day, son
A man had to answer for the wicked that he'd done
Take all the rope in Texas
Find a tall oak tree, round up all of them bad boys
Hang them high in the street
For all the people to see

That Justice is the one thing you should always find
You got to saddle up your boys
You got to draw a hard line
When the gun smoke settles we'll sing a victory tune
And we'll all meet back at the local saloon
And we'll raise up our glasses against evil forces singing
whiskey for my men, beer for my horses

We got too many gangsters doing dirty deeds
too much corruption and crime in the streets
It's time the long arm of the law put a few more in the ground
Send 'em all to their maker and he'll settle 'em down
You can bet he'll set 'em down...
During the days when Toby Keith's "Grandpappy" stalked the Jim Crow South, lynching was an institutional method of terror employed against blacks to maintain white supremacy. According to the Tuskegee Institute, between the years 1882 and 1951, 3,437 African-Americans were lynched in the United States, mostly in the heart of Dixie. Felonious assault and rape (read: corrupting "the flower of white womanhood") were the two most frequent justifications for lynch mob actions.

Toby Keith: "Hang 'em high in the street, for all the people to see"

Georgia was ground zero for lynch mob activity. Though most of the Peach State's victims were black, one of its most high-profile hangings claimed the life of a Jew, Leo Frank. Frank, a college-educated Northerner, was wrongly convicted in 1913 of murdering a 13-year-old girl after a show trial in which his prosecutor portrayed him to a grand jury as a bisexual pervert. Before the trial, one juror remarked, "If I get on that jury, I'll hang that Jew for sure."

A crowd gathered outside the courtroom as soon as the verdict came down. "Hang the Jew!" they chanted. Above the mob's cries rose the voice of a country fiddler named John Carson who had come to debut his ode to Frank's supposed victim, Mary Phagan. He sang:
Leo Frank he met her
With a brutish heart, we know;
He smiled, and said, "Little Mary,
You won't go home no more."
The terrifying spectacle outside the courtroom prompted Jewish families to flee Atlanta in droves. Two years later, after the governor commuted Frank's sentence, a lynch mob spirited Frank from his prison cell, dragged him into the woods and lynched him -- from "a tall oak tree," as Toby Keith sang.

Those who doubt the presence of racist undertones in Keith's "Beer For My Horses" should see the song's video. (The embed link to the video's Youtube version was disabled by Keith's record label so you have to click here to watch it). Cue ahead to 3:00 and watch as Keith intones, "We got too many gangsters doin' dirty deeds." The singer's words are not-so-subtly accompanied by the image of a swaggering black man sporting short dreads and baggy clothes. Thus the profile of Keith's ideal lynching candidate is revealed.

Keith's whirlwind publicity tour continues on July 30 with his appearance on CBS's Early Show, then sit-down interviews with Esquire Magazine and Us Weekly. The following week, Jay Leno will play host to another raucous rendition of "Beer For My Horses." Thanks to Keith and his unsuspecting hosts, lynching is becoming cool again.

Update: The trailer to Keith's "Beer For My Horses" identifies the film's lead villian: a dark-skinned "Mexican guy" who traffics drugs and kidnaps the girlfriend of Keith's character.

Source / The Huffington Post

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